Oh, you and your partner support one another’s creative life and work now? You still execute your work exceptionally well? And you still live a life of passion? Well, just wait until you have a kid.
Oh, you and your partner juggle having a child and you two still support your creative life and work? And you execute your work exceptionally well – if not better? And you live a life rich with passion and meaning? Well, just wait until you have two kids.
Or just wait until they’re old enough to talk back.
Or they’re teenagers.
Or just wait until you have to care for an ailing parent.
Or your own body starts ailing.
Or a natural disaster comes your way.
Or the economy tanks.
Or you die.
Some people wait
for the end.
Are you dying in the waiting room?
If he wants to speak beyond platitudes and programs, then I have six big ideas. Call them the MAKE WONDER FIRST IN THE CLASSROOM PROJECT. Read more
Note: A recent article discussed how Mind Rooms can shift how you organize tasks and desired creative actions into meaningful, pleasurable categories. This piece follows up with what to do next with those Mind Rooms and what tools can help you.
I led tele-conference recently on “creative organization for creative entrepreneurs.”
More than one participant bemoaned that she didn’t want to spend hours organizing instead of doing. It’s a good point. You could obsess about color-coding and labeling files and creating elaborate systems that you then forget about.
But if you’re busy and juggle multiple projects, a simple system of creative organization is crucial for you to flourish with less fret. It can help a creative person with a regular job become a freelancer (relying on income in most ad-hoc singular client situations) and a freelancer ultimately become a creative entrepreneur (someone who has many related enterprises and income streams that allow her to flourish with her own creative projects without being impoverished). Read more
You can take a quick survey, sort of like a house carbon test, to see if you’re living in a house of fear: Erratic or shallow breathing? Physical agitation and trembling? A little irritable and excitable? Making sluggish progress on your projects?
These are the questions I’m sitting in: What do fear and doubt do to our creative lives? What are some radical ways to shift those emotions, ways that surpass psychoanalysis?
The questions still come up among the writers, designers, and entrepreneurs I work with: Is the muse out there somewhere or within? Doesn’t the very idea of the “muse” imply I’m at the whim of something else?
Two clients last week in two separate meetings raised, in essence, these very questions, so we need to raise the discussion again.
These questions have gnawed at me since I coined the phrase “Yoga As Muse” years ago. And over the years the phrase has rubbed more than one person with whom I’ve worked the wrong way. Once, a writer in Taos, New Mexico said to me in private something to the effect of, “I like what you’re doing, but there’s something about the word ‘muse’ that doesn’t sit right with me. Something about some entity outside of me,” and her flittering fingers made a gesture that implied fairy dust.
I nodded and said something like, “Right, right.” I cleared my throat and said, “But the idea of Yoga As Muse is that the muse is within and that any source of ‘inspiration’ is at our disposal as readily as is the harnessed breath.” She wasn’t satisfied. “Muse” still said to her Tinkerbell.
Isn’t there a lyrical stream still running under ice?
If so, is it so cold it’s hot?
When you let thoughts stop falling into slots, do they make snow, tears, a stream, or an umbrella?
What if we each have many streams of consciousness instead of just one?
Isn’t the body always shaping thoughts the way unseen soil feeds the tallest tree boughs?
Isn’t it time to climb down from the tower?
A hungry junco’s trident feet sketch arrows of desire in the snow.
Will you follow them or make your own?
Enjoy your weekend. See you in the woods.
Drop in the Hut
What questions are you living in today?
Do you find anything unusual about this photograph? It appeared in David Segal’s excellent recent New York Times Magazine’s article on how creativity thought leaders are changing the way creativity happens in corporations. The article features Dev Petnaik’s innovative team of creativity consultants, Jump Associates. This photograph shows the team performing yogic stretches before their brainstorming session.
What’s the connection? Why would one of the nation’s top-notch creativity teams (paid around $200,000 a day for some sessions) stretch before brainstorming? How does engaging the body stimulate creative innovation? Read more
Note: Once a week – maybe each Tuesday – I’ll offer a resource for tracking wonder. These resources are highlighted in Tracking Wonder Handbook Two called THE SERENDIPITY SLIDE: 20-Plus Resources to TRACK WONDER for Your Creative Profession & Life (download-able by entering your email in the box to the right).
I’d be the first to tell you to get out into the woods or at least take a walk around a city block to experience – full-bodied – the wonders of your small world and to shake your creative mind out of its four-walled ruts. But the World-Wide Web offers its own wonders.
The most innovative, creative people I know and interview regard each day a certain way. An opportunity. A window. A portal. They also have learned to watch how their minds sabotage or fashion their reality. I don’t think any of them are prone to voicing a default complaint like, “Today was a lousy day.”
A day can be more than a box (or inbox) to fill and empty or a list of tasks to create and check off. I’m convinced each day is a collective poem begging to be shaped and written by each of us.
I have naive theories. That the more we pay attention now, the deeper our memory is later. That the more we tend to small things, the more fertile our imaginations. That the best and biggest ideas come from observing things the size of dragonfly wings. That what we pay attention to forms our reality.
That wonder scurries everywhere, and we have the tools to glimpse it. That we can affect how one another experiences each day.
When I was a tow-headed boy in summer camp, I’d send myself to sleep by recreating the full day from reveille to lights out. In my twenties, I made up a simple game for myself. At each day’s end, I’d ask myself this question: What were your day’s three highlights? I’d try to recall the simplest sensory moments. Later, I started playing it with my wife.
Now I want to play it with the world and glimpse people’s highlights from all four corners. I call the game “Three Highlights.”
The rules are simple:
1. PAUSE: At the end of each day, pause, reflect, and ask: What were the day’s three highlights?
2. RECOLLECT: Try to remember specific, tangible moments – sensual details, nuanced thoughts, precise words spoken.
3. SHARE: Record them. Share them. Ask someone else the same question.
Play the game regularly, and you’ll notice a creative side-effect: You start paying attention more in anticipation of the question. Gratitude begets paying attention begets gratitude.
“To affect the quality of the day,” that present-moment monger Thoreau writes, “is the highest of the arts.” Maybe together we can create daily masterpieces. Or, heck, at least just finger paint together before we go to sleep each night.
See you in the woods,
Drop in the Hut
What practices help you experience your days optimally? How do you reframe the tendency to say, “Today was a lousy day”? Share your insights below.
I’m a cheerleader for creative action. Getting things done. Making ideas happen. But I want meaningful things done. And I want to make ideas happen with right intention. Some people might argue that intentions don’t matter and are a waste of time. Just act. Ship ideas out. Granted, intentions without actions are of no use. But right intention with right action can make for a doubly powerful creative life in 2011.